Geno has spent thirty years trying to untangle muddy basslines, making him the desk's resident guru on GKA v4 processing. When he isn't benchmarking dynamic EQ response curves, he can usually be found talking back to his studio monitors.
Amira specializes in how automated processing engines interpret tricky room reflections and imperfect monitoring setups. She approaches acoustic calibration with a calm humor that makes complex room math surprisingly approachable.
Ronen subjects fresh audio software to grueling stress tests to see which tools actually preserve transients without melting a CPU. His zero-tolerance stance on marketing gloss makes his review column required reading for engineers.